REVIEW: The Last Song April 29, 2010Posted by Patrick in Cinematics.
Tags: Liam Hemsworth, miley cyrus, Nicholas Sparks, The Last Song
Love her or hate her, Miley Cyrus looks like she’s here to stay. The teen star who shot to fame in her role as Hannah Montana has finally escaped from the bindings of her blonde alter ego by headlining this ‘serious’ attempt as an actress.
The Last Song is a film that doesn’t ask too much from the viewer. Considering the fact that it’s been conceived in the head of romance novelist Nicholas Sparks, there are certain expectations here. Two people from different ‘sides of the tracks’ will meet, probably one summer, fall in love, hit a few speed bumps along the way, and of course someone will have kicked the bucket by the time the credits roll.
This is fine by me. I accept the Nicholas Sparks tried and tested formula and even enjoy it a little bit sometimes. This could either be a reflection on my own pathetic love life, or perhaps I just enjoy seeing people fall in love and have terrible things happen to them.
The real question being posed by every critic, and indeed viewer, is whether Miley Cyrus can cut the mustard as a quote/unquote ‘serious’ actress. I’m inclined not to go too hard on the girl. Firstly, as I’ve said countless times, I like the girl. Secondly, she’s not actually too bad in Hannah Montana. Of course, the programme is a frothy teenage sitcom, but Miley has achieved fame all over the world not for her amazing acting chops, but for her likeability.
In The Last Song, there’s no question that she has some serious potential. Perhaps it’s not pure acting, and there really is a moping teen inside Miley just dying to get out, but she takes anything thrown at her in the film and plays it to the best of her ability. For her role as child prodigy Ronnie, Miley even learned classical piano. Although I was at times a bit dubious as to whether it was her hands that were actually playing the notes, if it was her, then she gets my praise.
Initially, there’s not much to like about her character Ronnie. She traipses into the island town of Tybee, Savannah, where she has been condemned to live with her father for the summer, wearing some ridiculous semi-emo gittup and giant black boots on a beach full of beautiful blondes and ripped hunks. From the moment Miley steps on the screen, it’s as if we’re being told THIS IS NOT HANNAH MONTANA. She’s edgy now, don’tcha know.
After a predictable run-in with her love-to-be, Will, played by her real life boyfriend Liam Hemsworth, the two fall in love, bonding over…turtle eggs. What could have been a ridiculous plot device (and it is, as Nicholas Sparks unashamedly admits, a plot device) actually becomes something semi-believable and will leave a few tears in the eyes of many.
As the two fall in love, it becomes clear that all is not well with Ronnie’s father, played by the amiable and funny Greg Kinnear, and things start to get complicated. Unlike the other big Sparks adaptation of the year, Dear John, things actually build to a nice conclusion that packs an emotional, if somewhat predictable punch.
Any guy who is dragged along with a girlfriend to see this is not going to have many positive things to say about it, but it’s undeniably an agreeable film. You’ll smile when the sea turtle eggs hatch, you’ll laugh at the antics of Ronnie’s father and brother, and you may even shed a tear towards the end.
If you hate yourself for it, that’s your problem, not Miley’s.
REVIEW: Dear John March 30, 2010Posted by Patrick in Cinematics.
Tags: amanda seyfried, Channing Tatum, Dear John, Nicholas Sparks, Richard Jenkins
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There’s a metaphor that runs through Dear John about how soldiers in the US military are like coins. (Bear with me) They are churned out every day, and expected to be perfectly minted. The ones with imperfections are thrown away, but some, known as ‘mules’, get through and are circulated. While there’s lots to like about Dear John, you can’t help but feel that if The Notebook is a shiny penny, Dear John is a bit of a mule.
Tragic Nicholas Sparks love stories are ten-a-penny these days, so if you’re not a hopelessly romantic teenage girl who loved The Notebook, you can forgive yourself for not wetting yourself with excitement about the author’s latest adaptation, Dear John.
Of course, Dear John tells the story of two star-cross’d lovers, this time two teenagers who meet by the beach and, in the course of two weeks, fall in love. But, he’s only on leave from the military for those two weeks, so there’s tearful goodbyes and the end of their fortnight together. That’s all fine, as he’s only going for a year and they plan to write letters to each other the whole time. Unsurprisingly, this doesn’t all go to plan, and after 9/11, the couple face a much longer separation.
The two leads, the always-charming Amanda Seyfried as Savannah Curtis and Channing Tatum as the eponymous John Tyree, have good chemistry and a believable connection in the film. Seyfried even picks up a guitar and sings at one point, recalling her turn in musical Mamma Mia! Tatum on the other hand, is someone I’ve always thought had quite a limited range, and playing the military guy doesn’t seem like much of a stretch for him. His scenes with his father, played by Richard Jenkins, however show that he can handle heavier material at a push.
There’s a few heavy-handed subplots going on through the film, such as Savannah’s interest in helping those with Autism, which results in a scene early on where Savannah suggests that John’s dad is suffering from Asperger’s Syndrome. Despite this cringe-inducing scene, there are some heartbreaking moments in the film relating to John’s dad’s Asperger’s, and the backstory of how he and his father grew apart is well-played by Tatum and Richard Jenkins, who plays Mr. Tyree.
There are some typically sappy moments, like when John tells Savannah the moon is never bigger than her thumb no matter where she is, and where Savannah shows John a house she’s building for a family whose house got destroyed. Of course, the next day they’re working together on the site. Awww.
Ultimately, the film loses steam in the third act and things get a bit messy as unexpected relationships develop and everything gets a bit depressing. There’s a few war scenes thrown in that may keep any guys who are being dragged along by their girlfriends happy, but in the end, you won’t love this one unless you’re a die-hard Notebook fan.
Dear John hits cinemas on 16th April
Will Sparks Fly? February 23, 2010Posted by Patrick in Cinematics, Lit.
Tags: amanda seyfried, Channing Tatum, Dear John, Liam Hemsworth, miley cyrus, Nicholas Sparks, The Last Song
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Curiously, in the next few months there are not one but two Nicholas Sparks book adaptations on the way and inevitably, everyone’s going to be debating which was better.
The first, Dear John, stars Amanda Seyfried and Channing Tatum as a war-torn couple, separated by his decision to go fight for his country. Throughout his time abroad as a soldier, they exchange letters, which keep him going through his “increasingly dangerous missions” and blah blah blah while she sits at home and waits for him to return.
The other film is Sparks’ Miley Cyrus vehicle The Last Song. This film has a more chequered past, originally scheduled for release in January, but subsequently postponed until March 31st (at least in the US). The storyline even seems a bit less stimulating – Cyrus plays a mopey teen who goes to live with her dad for the summer, and falls in love with a guy on the beach.
Although Miley’s name attached to anything would normally seem like a safe bet, the film seems a to be skewing a little older than her usual demographic. The problem is, however, the type of people who loved The Notebook are likely to be put off by the presence of Miley Cyrus in the film. It doesn’t help either that Liam Hemsworth is a complete unknown, famous only for his real life attachment to the Hannah Montana star.
Although I’m never one to completely write Miley off, I’m going to wager that Dear John will fare much better at the box office (judging by its ticket sales to date, The Last Song has a lot to live up to), given that it panders almost shamelessly to The Notebook fans.
And if they had come out the same weekend, Amanda Seyfried and Channing Tatum of course would have had some sort of sabotage mission planned.
“If The Last Song was coming out the same weekend as Dear John, we’d have to collaborate on some sort of sabotage mission,” Seyfried told MTV.
“I’d burn it,” Tatum added. “I’d sabotage it somehow.”
Once they’re better than the god-awful Nights in Rodanthe, I’ll be happy.
Check out the trailers below and let the battle commence.
Dear John (out 16th April in Ireland)
The Last Song (out 30th April in Ireland)